Showing posts with label Arthouse. Show all posts
Showing posts with label Arthouse. Show all posts

I Am (2009)

I Am (2009)
aka: Me, Ya
Director: Igor Voloshin
Writer: Igor Voloshin
Country: Russia Runtime: 88 min Soundtrack: Various
Cast: Artur Smolyaninov, Andrei Khabarov, Oksana Akinshina
The film tells the story of a young Russian in early 90s, trying to escape the army in a psychiatric clinic and after intensive compulsory treatment released years later. Then as a documentary film maker he gets involved in Chechen conflict. There he meets his apparent death and between life and death he recalls his life and realizes it as a life of a whole generation.
IMDB Page
Russian director Igor Voloshin's semi autobiographic story about his life growing up in 90's Russia. 'I Am' follows young Geroi, whose youth was spent mostly hanging with his mates on the streets looking for his next way to get wasted. Now a young man having been beaten and abused by the authorities, hes put in a criminal mental institute. The film follows his struggle inside the institute, and the even darker internal struggle he faces. Instead of facing the grim reality of his situation, he does his best to keep himself drugged out of his mind in a dreamlike fantasy world, where his remembered past intertwine with his re-imagined present.


Imagine if the addicts in Trainspotting got taken to the mental asylum featured in 12 Monkeys. Highly enjoyable drugged out fantasy drama, featuring a fantastic range of colorful hyper stylized visuals. Most the film takes place in the hazy institutionalized mind of the central character Geroi played superbly by Artur Smolyaninov, kinda like hes Fight Clubs Tyler Durdon. The plot is padded out with various meetings with a female doctor named Nina (Oksana Akinshina) great looking eye candy. These meetings usually spark some back story of his wasted youth and regret, as he remembers his life growing up. These parts introduce his old friends like the popular junky dealer come guru Rom (featuring a movie stealing performance by actor Aleksey Gorbunov). The film does have a few minor weak areas, I could have lived without the obvious religious imagery like walking on water and being nailed to a cross. Also the labored style of the eventual resolve, its good the director mentions the friends he's lost and infairness its done with great style. It just felt some what unfitting like 'Iggy Pop' singing 'Lust for Life' then ending it with a 'But You Don't Wanna Live It' disclaimer. I HIGHly enjoyed it, not many Russian film makers become known outside of the eastern bloc, but from what I've seen so far from director/writer Igor Voloshin (this and his short film Atlantic) he could very well be in that few who do. I even hear hes working with the team behind the Russian hit Night Watch next.

Themes Included: Drug AddictsMeth LabElectro Shock Therapy
Sexy DoctorMental InstituteWayward YouthsHorse Driven Car
Cultdb Totals
[Rated 8 out of 10 Good]
[Deathcount N/A]
[Gorequota 5/10]

Litan (1982)

Litan (1982)
aka: Litan La Cité des Spectres Verts
Director: Jean-Pierre Mocky
Writer: Patrick Granier, Jean-Pierre Mocky
Cast: Marie-José Nat, Jean-Pierre Mocky, Nino Ferrer
The inhabitants of a remote mountain town are being transformed into zombies.
IMDB Page
Wow don't even know where to start with this surreal opus, if ever a film deserved the moniker 'WTF film' then Litan is it. The story follows a couple trying to uncover what happened to a scout during a creepy small French town festival of Litan day. Turns out he's returned from death, the reason is something to do with a strange substance in the towns local water supply. Towards the end as more and more of the towns folk are dying the couple find out they're just premonitions of the dead people's minds. And that we only ever exist as figments of each others minds and none of us are truly alive.

Such a puzzling plot that I could of easily of got the wrong idea about, its loaded with dreamlike imagery from people wearing creepy masks to a spooky asylum styled hospital. The scenery (which is usually foggy) is bizarre as well, it ranges from strange caves to cross packed mountains and an odd looking fishing village. Worth seeing for anyone who loves arty surreal movies it's closest rival is the original Wicker Man, but its far more 
ambiguous than that.
(7 out of 10)

Poodle (1979)

Poodle (1979)
aka: Caniche
Director: Bigas Luna
Writer: Bigas Luna
Cast: Àngel Jové, Consol Tura, Miguel Avilés
A brother and sister live together in a relationship which is unhealthily close, and has overtones of incest. The unpleasant couple are involved in other deranged and disgusting activities as well, including feeding raw meat (possibly from live puppies) to their pet poodle.
IMDB Page
Review Coming Soon...
(Not Yet Rated)

Zirneklis (1991)

Zirneklis (1991)
aka: The Spider
Director: Vasili Mass
Writer: Vladimir Kaijaks
Cast: Romualds Ancans, Aurelija Anuzhite, Saulius Balandis
A young girl agrees to sit as virgin mary for a painter. Soon after that she starts experiencing nightmares in which painter turns into a giant spider and tries to rape her. Is this just her imagination or is there something else to it?
IMDB Page
Zirneklis/Spider starts with a quote from everyone's favourite head shrink Sigmund Freud "Subconscious sexual urges are fast bonded to the sense of fright" It's basiclly a psychosexual drama following Vita, a natural beauty who's been asked to model as the virgin Mary by her college's Priest, on the say so of a local artist. The artist tries to dominate Vita only she declines his advances. Later that night while sleeping she gets attacked by a giant spider that bites her, it then transforms into the artist who she manages to fend off. Needing to take a break after the ordeal Vita retreats to a more rural area, she quickly starts to become romantically involved with a young man. Only the artist surfaces again this time in a more monstrous form. This leads to a good vs evil battle between the artist and the priest which is played out over Vita's sexual awakening.

Very artistic and perverse Russian fable, the young red haired actress playing Vita was very attractive, but for me at least Zirneklis/Spider failed to rise to the occasion. Visually it had many things going for it some of the dream sequences are very well made. Special mention to the classic paintings which came alive, sadly though most these scenes are too darkly filmed and needed much better camera work. It's a shame as given more resources Zirneklis/Spider could have turned out to be a damned fine Jean Cocteau styled fantasy.

(6 out of 10)

Hallucinations Sadiques (1969)

Hallucinations Sadiques (1969)
aka: Sadistic Hallucinations
Director: Jean-Pierre Bastid
Writer: Michel Martens
Cast: Daniel Gélin, Anouk Ferjac, Michel Subor
Hunting, for humans and animals, the tone is perched prescariously between neoclassical horror film and avant-garde freak-out complete with a the high factor of sexploitation.
IMDB Page
Sadly the only version I could lay my hands on was in French only without any subtitles so I will have missed a great deal of what was actually going on. From what I could make out its not a true flowing story, its done more in the fashion of little montages. We get whole scenes of our lead just sat cleaning his gun or wandering around a chateau looking for sex (which is accompanied with funky Jazz playing), other scenes we go on hunting parties where they hunt a women.
(4 out of 10)

Der Rabe (1951)

Der Rabe (1951)
aka: The Raven
Director: Kurt Steinwendner
Writer: Edgar Allan Poe (poem), Kurt Steinwendner
Cast: Leopold Rudolf, Margit Jergins
Austrian made adaption of Edgar Allan Poe's poem The Raven.
IMDB Page
Visually pleasing b&w avante guarde version of Edgar Allan Poe's classic The Raven, that only lasts 13 and an half minutes. I still rank the Simpsons Treehouse Of Horror version as my all time favorite version of The Raven, but this is a stylish short.
(7 out of 10)

Possession (1981)

Possession (1981)
Director: Andrzej Zulawski
Writer: Andrzej Zulawski
Cast: Isabelle Adjani, Sam Neill, Heinz Bennent, Margit Carstensen
A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.
IMDB Page
This my fellow film viewing maniacs is the reason why you can never stop loving films, I've left it late to stumble onto this and the other works of Andrzej Zulawski but so glad I finally have.

Ambiguous tale following Anna (Isabelle Adjani) and Mark (Sam Neill) as a married couple with a young son going through the despair of a breaking up. Hard working Mark wants to know why Anna is becoming increasingly distant, he becomes sure she's got another lover. He leaves his job to spend time fixing their disintegrating marriage but eventually Anna breaks and tells him she's been seeing someone called Heinrich for a year. Mark leaves her but the thought of losing his family drives him out of his mind so he returns. Only Anna walks out leaving Mark alone with his anguish and son. Up until here it's been a common yet harsh break up of a family.

Beyond this point the line between fantasy and reality start to blur for the couple, Mark starts to imagine one of his sons school teachers is a purer version of his wife (the teacher is played by Adjani with contact lenses and paler hair). Purely out of a need of having someone to take care of his son and home, Mark embarks on a sexless affair. Anna is in a far deeper unsettled state, no doubt with the guilt at destroying her marriage for Heinrich (whom she's now left) as moved into a run-down apartment block. Either through a mental break down and imagination or via supernatural possession Anna as begun to manifest a living tentacled demon who grows stronger with every sin she does.

I only watched this for the first time a few days ago and my jaws still on the floor while my body is in a catatonic state. It really is psychological horror at its best and true headfuck cinema. I don't get every aspect of it but like I said to start with Zulawski as made the film in such an ambiguous way it doesn't matter. The performances from the gorgeous Isabelle Adjani, Sam Neill & Heinz Bennent are excellent. That late 70s early 80s period in cult cinema can't be beat, if you've never seen it treat yourself its essential viewing.

(9½ out of 10)

The Devil (1972)

The Devil (1972)
aka: Diabel
Director: Andrzej Zulawski
Writer: Andrzej Zulawski
Cast: Malgorzata Braunek, Michal Grudzinski and Iga Mayr
During the Prussian army's invasion to Poland in 1793, a young Polish nobleman Jakub is saved from the imprisonment by a stranger who wants in return to obtain a list of Jakub's fellow conspirators. Following his mysterious saviour across the country, Jakub sees the overall chaos and moral corruption including his father's death and his girlfriend's betrayal. Being apparently demented by what he has seen, he commits a number of seemingly motiveless and gory killings.
IMDB Page
As with Zulawski's Possession I found Diabel a visual treat but I've got to agree I kind of lost my way through it one or twice. Who knows maybe that's the point. When you let devil lead you, your sure to lose your way.

Its set in 18th Century Poland at a time when the Prussian army are in the process of conquering the country During the chaos of battle a strange messenger (whom maybe the devil) arrives at a convent with orders to escort a pair of political prisoner. One of the prisoners died but the other a young man named Jakub is still custody, we learn he was accused of trying to kill the King. The messenger frees Jakub along with a nun on the promise that they head for Jakubs home. When he arrives back at his family home he finds his father dead and his pregnant fiancée about to marry the king. He also learns that his mother whom he's not seen since birth is a whore. Wherever Jakub wanders he keeps bumping into the messenger who persuades him that if he see's someone sinning its his duty to kill them. Towards the end as Jakub becomes increasingly insane he kills his remaining family and burns his fathers house to the ground, he then goes after the king whom he wins in a dual but gets shot himself. While he's dying the messenger/devil turns up and asks Jakub to sign a declaration containing the names he'd have handed over during his capture when tortured. On signing the messenger violently shoots Jakub in the head. Then hands the note to a mysterious man for an handful of gold. The mysterious man (maybe the real devil or even god) says 'you made it hard work like you was after his soul, everyone knows man doesn't have a soul'. At which point the messenger goes nuts and tries raping the nun, but she cuts his penis off, he then turns into a dog... cut to credits.

hehe I'm not even making it up either, if my synopsis sounds crazy you wanna see the film its such an odd odd story. I've seen 100s of bizarre movies over my years but this one was harsh going on my head. Most viewers I'd imagine will find it tiring. I'd suspect its one for acid casualties or arthouse fans only.

(7 out of 10)

Rubber (2010)

Rubber (2010)
Director: Quentin Dupieux
Writer: Quentin Dupieux
Cast: Stephen Spinella, Jack Plotnick, Wings Hauser
When Robert, an inanimate tire, discovers his destructive telepathic powers, he soon sets his sights on a desert town; in particular, a mysterious woman becomes his obsession.
IMDB Page
Rubber is that rare beast... a film that's unique. Plot is surplus to the directors intentions of doing just what he wants. Deep down it's basically a lone killing spree movie, instead of it being a human/monster or animal its a rubber tire doing the succession of killings.

That doesn't really do the film credit though, as its more an examination on the 'what/why the fuck principle of films'. The film starts with a monologue from a desert sheriff giving a rant direct into the camera about the 'WHY THE FUCK' flaws in movies claiming every film has them, things like why do we never see characters wash or go to the toilet or eat sometimes. Rubber builds on this concept as it rolls along (pun intended) throwing loads of random nonsense in the mix, things like the tire taking a shower or the sheriff from earlier telling the rest of the cast to go home they're only actors. I don't think it's a film for everyone, but if you're in the mood for something very different and you're open to totally bizarre moments you should enjoy this as much as I did.
(7½ out of 10)

Cargo 200 (2007)

Cargo 200 (2007)
aka: Gruz 200
Director: Aleksey Balabanov
Writer: Aleksey Balabanov
Cast: Cast: Agniya Kuznetsova, Aleksei Poluyan, Leonid Gromov
A young woman is taken hostage by a police officer and subsequently abused by the lawman gone mad.
IMDB Page
Bleak supposodly true tale set in a Soviet Union town during 1984, its main theme is about the total abuse of power those in charge had over their people. The film introduces us to several of the towns characters from down on their luck bootleggers to a young soldier/parratrooper, a professor of atheism, and various low to high ranking police officers/officials and their family's.

The core plot concerns abusive Captain Zhurov who uses his lower ranking officers to enforce his own rule, he kidnaps a young woman and keeps her chained to a bed as his slave. Sometimes treating her kind in the hope he'd win her affection, other times sexually/mentally abusing her in some form or other. All the other characters intermingle around the main plot somehow, conversing on wide subjets like their lack of money, faith and ultimatly hope.

Even though it is a very grim and harsh movie at times, other times its easy to lose yourself in the belief that your watching real people just going about their daily lives. Leaving aside the films Russian setting the film it reminded me most of was Hector Babenco's Pixote, Cargo 200's (name by the way comes from the transportation of soldiers bodies from warzones) director Balabanov likewise has a strange ability for turning a shocking moment into either a semi-comic one or just making it seem so natural you don't stop to question it. I was transfixed for most the duration but would only recommend this for more patient viewers.
(8½ out of 10)

Kinatay (2009)

Kinatay (2009)
akaThe Execution of P
Director: Brillante Mendoza aka Dante Mendoza
Writer: Armando Lao
Cast: Coco Martin, Mercedes Cabral, Julio Diaz, Jhong Hilario, Maria Isabel Lopez
A young man tries to make some money so he can marry his girlfriend. He takes a job for $2,000 and then soon realizes that this job involves killing a woman.
IMDB Page
Shocking social crime drama from Philippine director Brillante Mendoza (Dante Mendoza). While training to join the police force, young twenty year old Peping joins a syndicate of corrupt police officers to earn extra money for his new wife and baby son. Only things start to get out of his comfort zone, when he agrees to do a bigger money job involving torturing (the title Kinatay means Slaughter in Tagalog) then ultimately killing a drug addicted prostitute Madonna/Gina who owes local Manila hoods big money.

The sad truth is real life is often more shocking than the over the top stylized life cinema portrays, and life sadly in some areas is cheap. Here Brillante Mendoza presents a earthy unglamorous trip into the all too realistic world of missing people caught up in crime. The lead character Peping from the very first punch someone gives Madonna until the final dumping of her body parts, is clearly uncomfortable at what he's become involved in. I suspect the director & writers aim was to put the viewer in the same uncomfortable situation and make them wonder how people can actually live with themselves after doing and witnessing such atrocities. Well worth seeking out for those with a strong stomach and who don't mind slower paced cinéma vérité/dogma styled movies, warning though as of doing this mini review the only western DVD release I could find was French language only, I was lucky enough to stumble on a English fan subtitled edition.
(7 out of 10)

The Zero Years (2005)

The Zero Years (2005)
Director: Nikos Nikolaidis
Writer: Nikos Nikolaidis
Cast: Vicky Harris, Jenny Kitseli, Arhontissa Mavrakaki, Eftyhia Yakoumi
Set in a scary near future, Nikos Nikolaidis' unusual The Zero Years concerns the goings-on at a brothel that specializes in people who have a sadomasochistic fetish. Combining arch, stylized dialogue with graphic depictions of sexual acts, the film opens with the protagonist (Vicky Harris) beginning work at the establishment where she quickly becomes attached to three of the other workers.
[Synopsis by Perry Seibert @ All Movie Guide]
IMDB Page
Third entry in 'The Shape of the Coming Nightmare Trilogy'
(Not Yet Rated)


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Morning Patrol (1987)

Morning Patrol (1987)
aka Proini peripolos
Director: Nikos Nikolaidis
Writers: Raymond Chandler, Philip K. Dick
Cast: Michele Valley, Takis Spiridakis, Liana Hatzi, Nikos Hatzis
A woman is walking alone through an abandoned city. She approaches the forbidden zone and tries to pass through. Everywhere the Morning Patrol and deceptive traps are watching. The city itself is alive but uncontrolled. Computer voices warn non-existing inhabitants to leave the city. The communication system works... cinemas show films... classic faces of a past era flash across TV screens. She is confronted by one of the few survivors guarding the city. They will come close to each other ; they will try to recall the past. Together they unravel their tangled memory - threads of this catastrophe and decide to penetrate the zone together ; They are linked by the bonds of violence and death since no other behaviour is possible in this kind of world. Is there an end? Is there hope and any future since no person that was allowed through ever returned to tell us whether the freedom of the sea exists. The fugitives encounter increasing dangers... A story of love in this unbearable world...
IMDB Page
Second entry in 'The Shape of the Coming Nightmare Trilogy'
(Not Yet Rated)
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Evridiki B.A. 2037 (1975)

Evridiki B.A. 2037 (1975)
aka Euridice B.A. 2037
Director: Nikos Nikolaidis
Writer: Nikos Nikolaidis
Cast: Vera Tschechowa, Manolis Logiadis, John Moore, Niki Triantafillidi
In this experimental film, shot entirely within one room, a woman who waits in prison for her execution, dreams, masturbates, somehow kills her executioner, and survives.
[Synopsis by Clarke Fountain @ All Movie Guide]
IMDB Page
First entry in 'The Shape of the Coming Nightmare Trilogy'.
(Not Yet Rated)





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Sister My Sister (1994)

Sister My Sister (1994)
Director: Nancy Meckler
Writer: Wendy Kesselman (also based on her stageplay)
Cast: Julie Walters, Joely Richardson, Jodhi May, Sophie Thursfield
This all-woman production is set in provincial France in the early 1930's. Two young, country sisters enter domestic service in the bourgeois household of a penurious widow and her homely daughter. Neither pair speaks to the other: two sets of women separated and confined by social convention, personality, and the house itself. The relationship of the sisters slowly evolves into obsession, brought about by isolation and by emotions left from childhood. Trapped in a garret room, the sisters' violent downstairs-upstairs collision with Madame Danzard and the lumpy Isabelle seems certain.
IMDB Page
'A very bleak tale set in a French town, that's meant to be based on a shocking true story. Christine is joined by her sister Lea to become house servants to Madame Danzard and her daughter Isabelle. Only Christine and Lea partly due to their hard childhood home life then teenage convent upbringing have grown obscenely close and closed off from the world around them, to the point of it being incestuous. At first the situation pleases Madame Danzard who realizes she’s got the perfect maid/servants to do with what she wants. Only it spirals out of control after the younger sister Lea destroys an expensive blouse, bringing on a final bloody clash between the sister’s and both the mother and daughter Danzard. The film leans more towards angst ridden arthouse drama than all out horror, but don't let that put you off tracking it down as it packs a mighty shocking final. The acting is tight from all four lead actresses, and visually made to look like an aged painting. Sister My Sister wouldn’t be a million miles away from what a Dead Ringers era Cronenberg would release if he had tackled a Jane Austen story. Viewers be warned though its very slow, downbeat and due to its lesbian/incest theme's don't expect cheap exploitation.'
(8½ out of 10)

Hate 2 O (2006)

Hate 2 O (2006) aka H20
Director: Alex Infascelli
Writers: Alex Infascelli, Vince Villani
Strange events begin when Olivia (Chiara Conti) and her four friends hold a purifying water fast at her secluded cottage. Docile and introverted, Olivia is easy prey for her deceitful guests, who ridicule her and her long-lost twin - an unborn child 'absorbed' by Olivia during the childbirth that killed her mother. Tormented, Olivia ferociously removes the only palpable link she has with her dead twin - a tooth lodged beneath the skin of her shoulder. But discarding it down the drain only brings the horrific past to the surface. Just as water awakens this hidden life, it is water that will gruesomely take life away...
'Hate 2 0 is a slow brooding independent horror/thriller from Italian director of Almost Blue (2000) Alex Infascelli. It came out last year, but is now available in English language form. The plot is about a female bonding session in a secluded holiday house that can only be reached via boat, it is upset when they decide to do the ultimate body cleanse by drinking pure water only and fasting from food. This sudden change in body balance causes one of the women Oliva to release long suppressed anxiety about losing her twin sister at birth, this sends her into a spiraling psychotic state. On paper should of been perfect cinema for me as I usually adore psychological headfuck cinema but for all its lovely rolling guitars, pretty visuals and actresses, and its unique atmosphere the plot was trite tree hugging hippy nonsense, that I found myself on a few occasions losing all interest in. Its not all lost as the sound fx and music are grade-A, cinematography likewise is of an high standard some of the dream sequences like the wonderful rain of blood insestious twin kiss or the scene Olivia talks to herself in a mirror for it to break as we see a lightbulb fill up with an embryo inside are amazing, hope it's not another 6 years till Infascelli delivers up another film, I just hope his artistic talent is matched by the material.'
(6½ out of 10)

Empty Rooms (2001)

Empty Rooms (2001)
Director: Toshiki Sato
Empty Room is a dark, highly erotic tale of a married couple whose relationship is slowly sliding into oblivion. Bored and sexually frustrated, the wife begins taking lovers while her unemployed husband spends his days wandering aimless around the city parks. Highly stylised and with a film noir feel, Empty Room is a fine example of how Japanese Pink cinema has developed into a unique genre all of its own.
(Not Yet Rated)

Bugmaster (2006)

Bugmaster (2006)
aka Mushishi
Director: Katsuhiro Ôtomo
Writers: Yuki Urushibara (manga), Sadayuki Murai
A traveling mystical doctor, a "Bugmaster' passes through remote regions of Japan curing the ill effects of supernatural creatures, the Mushi, who spread plague.
'Slow brooding and beautiful looking film, based on a manga which as already seen a anime version called Mushishi in 2005, The films full of spellbinding fantasy imagery just a shame as of present there's no English subbed version out.'
(Rating coming after seeing English version)

Screamplay (1985)

Screamplay (1985)
Director: Rufus Butler Seder
Writers: Ed Greenberg, Rufus Butler Seder
Executed in the manner of a 1940's low-budget programmer, this comedy-thriller chronicles the misadventures of screenwriter Edgar Allen (Rufus Butler Seder), aspiring to move along in the literary footsteps of another, 19th-century Edgar Allen. Edgar is trying to come up with good horror script in order to impress an agent. If the script is good, the agent will take on the scenarist. Needing digs, but having little dough, Edgar agrees to work for room and board as a janitor of the ramshackle Welcome Apartments, owned by an odd experimental filmmaker. Edgar finds that every resident is more than a little eccentric and uses them in his new script.
'Wow amazing and sad that Rufus Butler Seder only ever got to make one movie, he also stars as Edger Allen a young dreamer who's hopes of making it as a big time screenwriter are set back when people are dying like the characters in his script. The films a wonderful blend of b-movie exploitation, golden era hollywood and even some thrown in German expressionism. The use of projected backgrounds in alot of the scenes works so well even though its clearly used due to lack of budget. Film also stars lofi arthouse legend George Kuchar as a sleazy hotel manager who befriends Edgar after killing a roller skating transexual mugger in one of the films many humorous death sequences. As well as great visuals there's so many priceless snippets of dialog like the old has been actresses "I've f'cked Barrymore, I've f'cked Karlof ... (you've f'cked Karlof ?) ... I've f'cked them all" in the manner of Sunset Blvd style Norma Desmond. How can you not love this movie, Oscar Wilde said "We are all sitting in the gutters but some of us are staring at the stars" like that this gutter film dares to stare into the stars. Gotta fit a mention in for Katy Bolger who plays wannabie actress Holy like Rufus Butler Seder its a shame she never went on to make more films. Highly Recommended Cult Gem'
(8½ out of 10)

Bug (2007)

Bug (2007)
Director: William Friedkin
Writer: Tracy Letts
A lonely waitress with a tragic past, Agnes (Judd) rooms in a run-down motel, living in fear of her abusive, recently paroled ex-husband (Connick Jr.). But when Agnes begins a tentative romance with Peter (Shannon), an eccentric, nervous drifter, she starts to feel hopeful again - until the first bugs arrive.
'Puzzled and split theatre veiwers opinions more than any other film released in 2007 this, mostly due to the fact they thought they was getting an all out horror ride mostly due to the manipulative way the original preview trailer was edited and the fact the posters all had 'from the director of Exorcist' plastered on them. What the brave ones who kept watching got was one hell of an headf'ck movie which in my opinion is Friedkins best since his flawed Silence of the Lambs style serial killer film Rampage. A film that's probably suited to DVD due to its slow start but don't let it fool you because boy does it have one frantic final'
(8½ out of 10)